The intersection of faith and sex through art at Gender Fusions 6
by Kevin Sparrow
Photos by Jon Mathias
What do a priest, a vampire and chocolate syrup have in common? This is not a set-up to a joke–although if you answered “things that prey on little boys,” we would accept that; these are a few subjects of Gender Fusions 6, an annual celebration of alternative gender identities and sexualities. As part of Columbia College Chicago‘s LGBTQ Office of Culture and Community and a project developed from the school’s Critical Encounters program Fact and Faith, this year’s program cast its gaze at the intersection of religion and sexual politics with “Our Temple of Transgressions.” The sacred and the profane came together in a variety of acts by Columbia students, faculty and members of Chicago’s artistic community with proceeds from the event going to benefit the Broadway Youth Center.
Performer and oracle for the evening Guillermo Gomez-Peña
As professed by Director of the Center for Teaching Excellence Lott Hll and LGBTQ Office Coordinator K. Bradford, Gender Fusions was fortunate to have performer and “border artist extraordinaire” Guillermo Gomez-Peña as the master of ceremonies. Gomez-Peña began the night’s festivities clad in a tassled skirt of metal-studded belts, a skeleton glove and spangled gauntlets, and a black-booted leg paired with a bare, high-heeled one. The dichotomies evident in Gomez-Peña’s wardrobe were expanded in his presentation “Strange Democracies,” mixing political outrage, sexual aggressiveness and personal strife by discussing the role of the artist in modern society. Gomez-Peña’s vision of “hope not connected to God, country or economy… [but] in small communities” versus the current “communities of sameness” is one that resonates with queer audiences who hope that their diversity becomes recognized as a preferable mode of society.
The parade down South Wabash leading to the “temple of transgressions”
Gomez-Peña led audience members and performers in a parade down Wabash to the “temple of transgressions,” where a series of 21 performers presented their songs, poems, dance, drama and selves. Two-time National Poetry Slam competition finalist Tristan Silverman, who wrote and performed a piece specifically for the event, said, “What I think makes Gender Fusions so essential is that it… has the backing and the funding from an academic institution, so you fund [artists] to be here… for people in the crowd who might want to do something similar or might have been doing some things similar, it’s almost an education in itself… Things like live performance art are important because it’s extra risky, it’s extra vulnerable. The potential is increased in terms of the reward.” The serious nature of many of the pieces was met with levity in the form of burlesque by Hot Tamale and Hot Toddy, a humorous magician and sidekick riff by Donnell and Kandy and a hilarious take on a conversation between Kanye West and Jesus by Columbia students Erica Quinn and Nicki Butler.
Burlesque artist Hot Tamale reinterprets “Not an Addict” for chocoholics
The night ended with a bang–nearly literally–with a performance by La Pocha Nostra and students from the year-long Critical Encounters workshop. The unscripted and interactive performance was a study in tableaux; performers slowly approached the stage, some in different stages of undress, and tasked themselves with a multitude of actions. Gomez-Peña acted as ringleader and stopped the performers every so often, soliciting audience input on the image before them before allowing those on stage to proceed. The audience was invited to participate more intimately by joining those on stage and subsequently being stripped of their clothes. The ease with which many people abandoned reservations about being disrobed in public–a pretty common nightmare theme–while the audience watched, some in shock and some in admiration, was proof that queer systems of sexual identity are beginning to be viable for many people and and reveal that we all can afford to be a little more open when it comes to our sexual expression.